We all know how important first impressions can be. Our opinion of something or someone is formed quickly upon our first encounter. That’s one reason you should pay attention to the design of your front door, entrance, and the entire arrival and entry experience when designing your house. You won’t get a second chance. So be sure you present the image and feel that is consistent with the overall house.

One aspect of the entrance to a house that you may overlook or under-appreciate is the concept of transition from public to private. This is a concept I discuss in some detail in Designing Your Perfect House. The minds of human beings seek order. Our minds don’t like abrupt changes. We are most comfortable with gradual transitions. If you consider the sensation when you step from your dark bedroom in the middle of the night and turn on the light in the bathroom, you get a pretty good idea of how harsh a change can feel. Our psyche reacts to changes in spaces, albeit subconsciously, the same way. Sudden shifts from one type of space to another can be jarring and disconcerting. (more…)

In the world of residential architecture, there has been a long-running debate about architectural style. Is it incorrect for architects to be designing traditional houses even though the majority of the public wants them? Should new houses be modern and unadorned with decoration or else be deemed inferior and not good architecture? As you might guess, there are strong opinions on both sides of this issue. Devoted modernists even tend to blame the public for not knowing enough about architectural design to appreciate their creations. But in my opinion, it is the obligation of the architect to understand the client, not the other way around.

In a recent blog post by Clem Labine, publisher of Traditional Building magazine and Period Homes magazine, takes on the topic. Here’s a little of what he had to say in his post entitled Hard-Edged Houses for Those Who Love Machines:

Modernist architects once again are trying to sell hard-edged houses to the American public. A new home plan service called Hometta has been set up to offer “modern homes for the masses.” Hometta is a collaboration of several architectural studios whose goal is to provide “small, sleek, sustainable, affordable house plans for middle-class buyers.” Few would quibble with the goals of “small” or “affordable” or “sustainable.” Whether the market will applaud their version of “sleek” and “modern” remains to be seen.

His suspicion of how the public will receive the modernist offerings is shared by me. If you were to poll the public you would find a strong majority favoring houses that match their image of “home.” By that I mean a house with a pitched roof, windows of a human scale, comfortable places for comfy furniture, and not a house that looks like a museum for modern art. (more…)

It seems that kitchen design continues to trend in the upscale direction. People are looking for better cabinets, granite or solid surface countertops, and professional looking appliances. One of the icons of the upscale kitchen is the Sub Zero refrigerator. The name Sub Zero has come to symbolize not just a high end kitchen. Having that Sub Zero label on your refrigerator can influence a buyer’s opinion about the entire house. I’ve often joked that the label alone is worth tens of thousands of dollars in the resale value of the house. That’s how effective the brand identity campaign has been for the Sub Zero people.

And just what’s so appealing about a Sub Zero? Obviously it is a very good product. They have great features such as two individual compressors, one for the freezer side and one for the refrigerator side. Many of their super deluxe models have specialty features you probably didn’t even know you needed until they told you. But I think the single most valuable feature of a Sub Zero is the fact that it is “cabinet depth.” This means the front of the refrigerator sits even with the face of the lower cabinets and front edge of the countertop. It doesn’t stick out several inches like standard refrigerators and look like a big bulky box in the kitchen. With a cabinet panel installed on the doors of the Sub Zero, the bulkiest object in the kitchen, the refrigerator, can take a less intrusive position in your kitchen and give the entire kitchen a more unitized and cleaner look. (more…)

Have you ever been walking or driving along and had your attention grabbed by a house? It happens to me a lot. Maybe that’s because I’m an architect. But I think it happens to everyone. There is something about a good house form that can really catch your eye.

You might not know exactly what I mean by a “good house form.” We architects often use the word “massing.” This refers to the overall shape and bulk of a building. It’s the shape of the structure and roof line in its gross form. It ignores the finer details. It relates to composition, balance, visual flow and a lot of other artistic terms that even professionals have trouble expressing in words. But a good house form is one we know when we see it. One way to evaluate a house form is to stand back and squint at it. This will keep the details from confusing your mind. A good house starts with a good house form. The details will further enhance it, making it even better. But it’s hard to save a bad form with expensive materials and details. A house has to have “good bones.” (more…)

The birth of “Building Green” arguably happened in Austin, Texas in the 1970’s. There’s a good article in Ecohome about Austin’s sustainable building program and their continuing progress. But the trigger for Austin may not have been what you might have guessed. Here is the first paragraph of the article by Jeffery Lee:

Austin, Texas – the state capital and home to the University of Texas – has long been known as a liberal bastion in a conservative state, and the city’s residents are renowned for their environmental consciousness. But it wasn’t the community’s mind-set that led to the establishment of the nation’s first comprehensive green building program; it was a nuclear power plant. (more…)

    Garage doors are often one of the ugliest features on the exterior of a house. There are now quite a few “carriage house” type doors to choose from that look much better than the traditional flat or raised panel doors. But those special doors come at a significant cost increase. There are other solutions you might want to consider.

    Garage doors are often an unsightly feature simply because of their scale. We human beings tend to prefer objects that are an appropriate size or scale to our own size. The doors and windows of your house will be most appealing when they are size-appropriate to the people who will occupy the house. They will “express” an interaction with other people. On a subconscious level, we can emotionally connect with architectural features like that. Garage doors must, by their very nature, be sized and scaled to the automobiles that must pass through them. Garage doors end up being the largest doors on your house. We find them unattractive for that very reason. (more…)

    Make sure the bathroom tiles you select come with the special shapes you’ll need to create a complete, quality installation.

    Most people don’t think about how their bathroom tile will be installed. They make their selections based on the color and style of the tile and what decorative tiles or accents are available and compatible with the primary tile. But not all tiles are available with bull-nosed edges or other special shapes you may need.

    A bull-nose edge is a slightly rounded over edge that has the finished surface of the tile wrapping all the way around the edge so that when it is adhered to the wall, nothing but a finished surface will be seen. (more…)

    It’s almost impossible to discuss composition and architectural proportion without referring to the golden mean, also called the golden section. Readers of Dan Brown’s mega-bestseller The Da Vinci Code may recall the description of that formula in the book. As a brief refresher, the golden mean is the original organizing and proportioning method or formula for art and architecture. Its theory tells us that human beings are most pleased when things are in a proportion of 1 to 1.618. In other words, if a window is one unit wide, it should be 1.618 units tall in order to be the most appealing to human eyes. The golden mean was used prominently in Greek and Roman architecture and is just as useful in today’s world. Indeed, the same ratio that was applied to the design of the Parthenon is likely to aid your architect in the design of your new home. (more…)

    In homebuilding, picking out the right materials can be a little tricky.

    I talked yesterday about the value of painting out larger samples of your wall and trim paint selections to verify that the colors were right. The same principles applies to the other materials you plan to use. Don’t pick bricks from a photo or even from a brick sample card with several thin bricks on it. Without mortar, the bricks will look different than they will on your house. Stone is even tougher. I can’t imagine being confident in a stone selection from a handful of loose stones. Stones come in a very wide range of colors, textures, and sizes. And there is no good way to describe stone in words. Photos of other walls help, but you need to be sure your builder can reproduce the wall you want. (more…)

    When designing your home, it is nearly impossible to make a reasonable judgment about colors of materials for your new house by simply looking at tiny color chips or samples. They will fool your eye every time.

    If you don’t believe me, try this little test. Go to the paint store, or your local Home Depot, and pick up a few color chips of paint. Be sure to get two of each color. When you get home, cut out the colors so that no white edges show. All you should have left is is small piece of paper with the color on it. Then place one of the chips on a white piece of paper and the other chip on some other color paper. Stand back and look at them. Do the colors look the same? I’ll bet they don’t. (more…)