Do you know what your house should look like even though you don’t have a floor plan? If so, you might have the same question one of our readers asked me recently.

Luci wrote:

I know the correct answer for this, but I’d like to find out that it CAN be done differently – My husband and I will be building, (and by building I mean designing and having someone else build it) our retirement home in the near future, and I’ve found an “outside” that I like.  I don’t just like it, I want it!  I know you should design the floor plan first, then the outside, but I want to do it the other way around.  Any advice?

Thank you very much!

Luci

Here’s my answer:

Luci – Thanks for the good question. I have begun a number of projects with an image my client has found that captures the exact look they want. What we often do is to evaluate the plan of the house that has the “ideal” exterior and see how well that floor plan fits the program we’ve developed for the client’s Perfect House. Sometimes the plan can be simply adapted to suit my client’s needs. Sometimes it takes some clever redesigning to get things perfect. A good architect can even modify the exterior of the house to fit the revised floor plan and still retain the essence of the look of the house that captivated the client initially. The secret is that the exterior usually does not have to be a perfectly identical match to still look “just like” the exterior they had found and fallen in love with.

So don’t worry. Your Perfect House plan can usually be designed to give you Your Perfect House exterior look. It just takes some clever and creative thinking.

Best regards,

Bill

For more articles about home design, homebuilding, and remodeling, please visit my other site, www.about-home-design.com.

There are rules for selecting the correct size shutter for your windows. This shouldn’t be a wild guess. If you get it wrong, it will show. The window will look odd, even if you can’t immediately tell why it looks odd. Here are some tips to get it right.

Shutters used to serve a functional purpose on a house. They were opened and closed regularly. Wooden shutters increased a home’s security when closed and allowed light and fresh air to enter the house when they were open. Shutters were usually closed and latched at night to make the home less susceptible to break ins. And, glass was very expensive. It needed to be protected during storms to prevent breakage and shutters served that purpose, too. Shutters were a key part of the function of the windows. (more…)

In the world of residential architecture, there has been a long-running debate about architectural style. Is it incorrect for architects to be designing traditional houses even though the majority of the public wants them? Should new houses be modern and unadorned with decoration or else be deemed inferior and not good architecture? As you might guess, there are strong opinions on both sides of this issue. Devoted modernists even tend to blame the public for not knowing enough about architectural design to appreciate their creations. But in my opinion, it is the obligation of the architect to understand the client, not the other way around.

In a recent blog post by Clem Labine, publisher of Traditional Building magazine and Period Homes magazine, takes on the topic. Here’s a little of what he had to say in his post entitled Hard-Edged Houses for Those Who Love Machines:

Modernist architects once again are trying to sell hard-edged houses to the American public. A new home plan service called Hometta has been set up to offer “modern homes for the masses.” Hometta is a collaboration of several architectural studios whose goal is to provide “small, sleek, sustainable, affordable house plans for middle-class buyers.” Few would quibble with the goals of “small” or “affordable” or “sustainable.” Whether the market will applaud their version of “sleek” and “modern” remains to be seen.

His suspicion of how the public will receive the modernist offerings is shared by me. If you were to poll the public you would find a strong majority favoring houses that match their image of “home.” By that I mean a house with a pitched roof, windows of a human scale, comfortable places for comfy furniture, and not a house that looks like a museum for modern art. (more…)

It seems that kitchen design continues to trend in the upscale direction. People are looking for better cabinets, granite or solid surface countertops, and professional looking appliances. One of the icons of the upscale kitchen is the Sub Zero refrigerator. The name Sub Zero has come to symbolize not just a high end kitchen. Having that Sub Zero label on your refrigerator can influence a buyer’s opinion about the entire house. I’ve often joked that the label alone is worth tens of thousands of dollars in the resale value of the house. That’s how effective the brand identity campaign has been for the Sub Zero people.

And just what’s so appealing about a Sub Zero? Obviously it is a very good product. They have great features such as two individual compressors, one for the freezer side and one for the refrigerator side. Many of their super deluxe models have specialty features you probably didn’t even know you needed until they told you. But I think the single most valuable feature of a Sub Zero is the fact that it is “cabinet depth.” This means the front of the refrigerator sits even with the face of the lower cabinets and front edge of the countertop. It doesn’t stick out several inches like standard refrigerators and look like a big bulky box in the kitchen. With a cabinet panel installed on the doors of the Sub Zero, the bulkiest object in the kitchen, the refrigerator, can take a less intrusive position in your kitchen and give the entire kitchen a more unitized and cleaner look. (more…)

Have you ever been walking or driving along and had your attention grabbed by a house? It happens to me a lot. Maybe that’s because I’m an architect. But I think it happens to everyone. There is something about a good house form that can really catch your eye.

You might not know exactly what I mean by a “good house form.” We architects often use the word “massing.” This refers to the overall shape and bulk of a building. It’s the shape of the structure and roof line in its gross form. It ignores the finer details. It relates to composition, balance, visual flow and a lot of other artistic terms that even professionals have trouble expressing in words. But a good house form is one we know when we see it. One way to evaluate a house form is to stand back and squint at it. This will keep the details from confusing your mind. A good house starts with a good house form. The details will further enhance it, making it even better. But it’s hard to save a bad form with expensive materials and details. A house has to have “good bones.” (more…)

Today, we awoke to a freak snowstorm here in Raleigh, North Carolina. I say “freak” because any snow is a rare occurrence in this part of the country. Snow in January is a novel concept in the southeast. Everything, and I mean everything was closed. We were crippled by Mother Nature.

 When the flakes stopped falling, we had about six inches of nice, clean snow on the ground. I put on my tennis shoes (I don’t have boots anymore since I moved south) and found my gloves (they were in my golf bag where I left them following a chillier than usual round a few weeks ago) and set out to clear the snow. I don’t use a snow shovel any more. I’m not sure I still have one. I use my leaf blower, instead. It works surprisingly well. It fluffs up the snow and blows it away almost without a trace. I cleared my sizeable driveway in a little over an hour. The best part is my back doesn’t hurt! 

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    Designing stairs is more intricate task than many people realize. And it’s not just about how the stairs look. Proper proportioning is critical to comfort and safety. Set the tread and riser sizes carefully. For  I recommend 10″ treads with a one inch nosing. The nosing is the projection forward of the tread beyond the riser below. The riser is the vertical portion of the step. I try to keep the riser height under 7 1/2“, preferring to end up with about 7 1/4″ if I can. We’re all getting a bit older and the fraction of an inch can really make a difference in how a staircase feels. On a house with the now fairly common ten foot ceilings, 18 risers will give you risers of about 7 1/3″. If you have a situation where you want to further reduce the riser height to fit a particular situation or if you have bad knees, you can go by the old “Rule of Thumb” that said the riser and tread dimensions, when added together, should equal 17.  So 6 1/2″ risers would be combined with 10 1/2″ treads for maximum comfort. But there are always exceptions to Rules of Thumb, of course. (more…)

    Garage doors are often one of the ugliest features on the exterior of a house. There are now quite a few “carriage house” type doors to choose from that look much better than the traditional flat or raised panel doors. But those special doors come at a significant cost increase. There are other solutions you might want to consider.

    Garage doors are often an unsightly feature simply because of their scale. We human beings tend to prefer objects that are an appropriate size or scale to our own size. The doors and windows of your house will be most appealing when they are size-appropriate to the people who will occupy the house. They will “express” an interaction with other people. On a subconscious level, we can emotionally connect with architectural features like that. Garage doors must, by their very nature, be sized and scaled to the automobiles that must pass through them. Garage doors end up being the largest doors on your house. We find them unattractive for that very reason. (more…)

    It’s almost impossible to discuss composition and architectural proportion without referring to the golden mean, also called the golden section. Readers of Dan Brown’s mega-bestseller The Da Vinci Code may recall the description of that formula in the book. As a brief refresher, the golden mean is the original organizing and proportioning method or formula for art and architecture. Its theory tells us that human beings are most pleased when things are in a proportion of 1 to 1.618. In other words, if a window is one unit wide, it should be 1.618 units tall in order to be the most appealing to human eyes. The golden mean was used prominently in Greek and Roman architecture and is just as useful in today’s world. Indeed, the same ratio that was applied to the design of the Parthenon is likely to aid your architect in the design of your new home. (more…)

    In homebuilding, picking out the right materials can be a little tricky.

    I talked yesterday about the value of painting out larger samples of your wall and trim paint selections to verify that the colors were right. The same principles applies to the other materials you plan to use. Don’t pick bricks from a photo or even from a brick sample card with several thin bricks on it. Without mortar, the bricks will look different than they will on your house. Stone is even tougher. I can’t imagine being confident in a stone selection from a handful of loose stones. Stones come in a very wide range of colors, textures, and sizes. And there is no good way to describe stone in words. Photos of other walls help, but you need to be sure your builder can reproduce the wall you want. (more…)